Jason 
Carver is a newly promoted, newly divorced tax inspector, but he’s fed up and 
wants to make a change in his life. Jason has recently inherited a house in 
Orbaton and he wants to move away from London. However, he needs cash to pay for 
the refurbishment and afford to have a part-time job (so avoiding paying his 
ex-wife maintenance). Therefore, Jason bribes a tax evader, Albert Carlotti, to 
bank roll him.
But Jason 
has a new neighbor, Dennis Brodan, and they immediately get off on the wrong 
foot. Brodan is renting Jason’s garage and will not give it up. As Jason’s mind 
spins out of control, he fixates on Brodan as the source of his ill will and 
decides to do something about it.
I really 
don’t understand the purpose of this story. The premise, that Jason is going 
steadily mad and the underlying reason, aren’t clear at all. I sort of figured 
out what had ultimately sent him around the bend on the last page, but by then I 
just didn’t care because most of the outline leading up to it was unclear for a 
number of reasons.
First, 
Insane and Out completely failed to engage me. It’s not badly 
written, but some sentences are odd, i.e. they didn’t seem to fit with the 
prose, and others were just downright difficult to understand. To give an 
example of the former:
‘There 
was no-one else on the train, which hummed with a vile, sonorous drone, just 
like it was being pulled by a million meat flies.’
Okay 
Jason was having a dream, but it would probably fit better in the horror genre. 
And of the latter:
‘His hair 
was jet black and below his pallid, almost waxy complexion glowed an unhealthy 
tinge of hectic red.’
I’ve read 
that sentence perhaps 10 times and I still don’t get it. Maybe it’s me, but why 
make it difficult for the reader?
The 
characters are lifeless and add nothing to the narrative. They appear, make a 
few comments and then sidle off again. Sometimes a potential conflict is created 
by the character, but almost always isn’t followed through. For example Jason 
meets someone he calls Wolfman in the opening chapter. Wolfman wakes Jason up, 
helpfully meaning he doesn’t miss his train stop (the reasons why are explored 
for a few pages). Then he and the Wolfman walk to the same location. Wolfman 
invites Jason to join him in the park for a couple of beers…yes it is 
that dull.
This 
issue continues throughout the story. At one point Jason thinks Carlotti is 
going to kill him, potentially interesting, but then this possibility evaporates 
– instead Carlotti gives Jason a brand new car. The situation Jason gets himself 
into with Brodan is pointless, who cares that Brodan is renting the garage and 
he can get to his car faster than Jason? Not me. Yet the author spends many 
chapters investigating this. Yes, Jason might be going mad but the reason for 
the conflict? Far, far too weak and unbelievable to create tension in this 
context.
The 
dialogue is bland and laborious. It’s like sitting on a bus and being forced to 
listen in on a particularly boring conversation between two strangers who you 
hope to never meet again. Unfortunately, you’re treated to every word 
uttered.
Finally, 
there was absolutely no sense of place for me. Jason eventually lives in 
Orbaton, where’s that? In the ‘grim’ north of England where everyone’s ugly 
(where I happen to come from).
Overall, 
a very disappointing read that almost sent me mad in the 
process.
Rating? One 
Star
Would add this to my bookshelf? 
Categorically No
**Originally reviewed on Books & 
Pals blog.**
 

 
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